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Blackmagic URSA Broadcast G2

Blackmagic URSA Broadcast G2

  • 6K CMOS Sensor, Dual Native ISO

  • 2/3" B4 Lens Mount & Active EF Mount

  • 6K Blackmagic RAW Recording

  • Records to ProRes, H.265/264

  • 12G-SDI Input & Output, Genlock/Timecode

  • 13 x Stops of Dynamic Range

  • 2 x UHS-II SD, 2 x CFast 2.0 Slots for recording

  • Built-In 2/4/6-Stop ND Filters

  • XLR Inputs, 3.5mm Audio Output

  • ProRes Recording up to 1080p120

  • Includes: Blackmagic 7" View  Finder G2

  • Fujinon Broadcast Lens

  • Blackmagic Broadcast Zoom & Focus Control

  • When using B4 lenses, you get a 4K window of the sensor for Ultra HD broadcast use.

  • While URSA Broadcast G2 features lots of physical buttons and knobs, using the LCD, you also get on-screen status and touchscreen controls.

  • Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera.

Sony HXR-NX5R

HXR-NX5R

  • Three 1/2.8" CMOS Exmor sensors

  • 20x optical zoom Sony G lens with 40x Clear Image Zoom provide sharp and clear images.

  • Professional audio is not forgotten with two XLR inputs that support Line, mic, and mic +48 (phantom power).

  • The Slow & Quick Motion function enables 1080p recording at selectable frame rates.

  • The camera features two media card slots that support recording on Memory Stick PRO Duo or SDHC/SDXC media cards

  • 1080p/1080i/720p recording and outputs

  • XAVC S HDï¼MPEG4-AVC / H264 4:2:0 Long profile
    AVCHD: MPEG-4 AVC / H.264 AVCHD 2.0 format compatible DV

  • Outputs: 3G/HD/SD-SDI: 1 x BNC, HDMI: 1 x HDMI type A
    USB: 1 x Multi/Micro USB, Composite: 1 x BNC 1.0 Vpp, 75 Ohms
    Earphone: 1 x Stereo 3.5 mm mini jack
    Audio: 1 x Stereo 3.5 mm mini jack

  • Built-in Wi-Fi, NFC, and FTP allow you to send your footage to your editor while you are still shooting, so post-production doesn't have to wait on the data cards being sent from the shoot

  • Built-in ND (Neutral Density) filters—1/4, 1/16, 1/64

Sony PXW Z100 HD 4K

PXW-Z100

  • Recording true 4K 4096x2160 resolution video at up to 50 and 60fps

  • G lens with 20x optical zoom and three control rings

  • dual XQD memory card slots, and 4K HDMI and 3G/HD-SDI interfaces

  • XLR audio, ND filters, ASSIN button, white balance presets, and gain control settings

  • HDMI and 3G HD-SDI Output

  • 1-chip 1/2.3 type back-illuminated “Exmor R” CMOS Sensor

  • MPEG-4 AVC/H.264 compression is used to record Full HD (1920x1080), QFHD (3840x2016), and true 4K (4096x2160) content

  • 1080p: Frame rate selectable 1,2,4,8,15,30,60 fps in NTSC mode from 1,2,3,6,12,25,50 fps in PAL mode

  • View Finder is 0.45-inch type color LCD: 852 [H] × 3 [RGB] × 480 [V], 16:9

  • Built in LCD Monitor is3.5-inch type Xtra Fine LCD™: 852 [H] × 480 [V] × 3 [RGB],16:9

  • Built in Omni Directional Microphone

  • Media compatible are XQD x2 (for XAVC) 
    Memory Stick Duo™ and SD/SDHC/SDXC compatible x1 (for AVCHD) 

Sony NX5U

NX5U

  • HDSDI and HDMI Output

  • Sony G Lens, 20x (optical), 1.5x Digital Extender

  • Linear PCM Audio

  • Approx. 1,037,000 pixels with ClearVid array

  • Auto, Manual 60i/30p: 1/4-1/10,000, 24p: 1/3-1/10,000 sec.

  • HD: Linear PCM 2ch, 16bit, 48kHz / Dolby Digital 2ch, 16bit 48kHz
    SD: Dolby Digital 2ch, 16bit, 48kHz

  • Simultaneous SD/HD Recording via HXR-FMU128

  • SMPTE Time Code In/Out Connector

  • Built-in GPS Function

  • HD: MPEG-4 AVC/H.264 (AVCHD)
    SD: MPEG-2 PS

  • XLR 3-pin (female) (x2)
    line/mic/mic +48 V selectable

  • AVCHD FX (24Mbps) 1920x1080/60i

  • AVCHD FX (24Mbps) 1920x1080/24p

  • AVCHD FX (24Mbps) 1280x720/60p

  • PRO Duo HG and SDHC Card Compatible

PTZ Optics 30x HD-SDI Gen 2

PTZOptics 30X Gen 2

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  • 60.7° wide-angle lens 

  • Low-light sensitive with Wide Dynamic Range (WDR) 

  • Simultaneous 3G-SDI, HDMI, and IP streaming 

  • Up to 1080p60 resolution 

  • Composite output (576i/480i) 

  • RS-232 and RS-485 serial control 

  • IP (LAN/WAN) control 

  • H.264, H.265, and MJPEG streaming over RJ45 LAN port 

  • Power over Ethernet or 12 VDC power supply 

  • RTMP and RTSP IP streaming

  • Built-in wide dynamic range and 2D/3D noise reduction

  • PoE support

  • Audio line-in for HDMI and SDI streams

  • 10 presets via the included IR remote control or 255 via serial or IP control

Meeting Owl Pro

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  • 360° Lens for Panoramic 1080p Video

  • 8-Microphone Array

  • 360° Audio

  • Works with Web-Based Video Conferencing

  • Connects via USB

  • Wi-Fi for App Control and Enhancements

  • Device Focuses on Person Speaking

  • Speaker Highlights In-Room Participants

  • Panoramic Room View, Echo Cancellation

  • Great for small executive meetings

  • It can be used with several major web-based video conferencing platforms and is your video conferencing eyes and ears when connected to an in-room computer.

  • The Meeting Owl's output resolution is 1080p, for sharp clear panoramic 360° video, and it features an eight-microphone array that allows everyone within an 18' radius to be heard.

Blackmagic Video Assist 4k

Video Assist 4k

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  • 1920 x 1200 Touchscreen LCD

  • 7" Touch Screen High Definition Monitor

  • Records UHD 4K/HD Up to 30 fps

  • 10-Bit, 4:2:2 ProRes Codecs

  • HDMI and 6G-SDI Video Inputs

  • Dual SD Media Card Slots Supports UHS-II

  • Two Mini XLR Inputs with Phantom Power

  • On-Screen Histogram and Audio Levels

  • Focus Peaking & Zebra

  • Dual LP-E6 Hot-Swappable Battery Slots

  • AC Adapter Included

Blackmagic Hyperdeck Studio HD Plus

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  • Records up to 4K DCI at 30 fps

  • Plays Back up to 3840 x 2160 at 30 fps

  • 1 x 6G-SDI Input, 1 x HDMI 2.0 Input

  • 1 x HDMI 2.0 and 2 x 6G-SDI Outputs

  • Records ProRes, DNxHD, and H.264

  • Records in H.264 SDI 4:2:2 10-Bit

  • Front-Panel Buttons, Jog Wheel, LCD

  • Timecode and Reference Input/Output

  • 1/2 Rack-Mountable Form Factor

  • USB Type-C, 1G Ethernet, RS-422

  • All HyperDeck Studio models support recording to common SD cards and UHS-II cards so you don't need expensive custom media. However, the Pro models also add two SSD slots so you can use two different types of media. SD cards and SSDs are the perfect choices for broadcast media because they are small and very affordable. When using H.264, the files are so incredibly small you get very long recordings even on smaller low-cost cards. Plus, you can even record to external USB disks. With H.265, you can record up to 58 hours in 2160p60 Ultra HD or up to 157 hours of H.264 recording in 1080p59.94 on a 1TB card. That's over 6 days of recording in HD using a single 1TB card.

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Blackmagic Hyperdeck Studio 4k Pro

  • 1 RU File-Based Video Recorder

  • Uncompressed & H.264/H.265 10-Bit 4:2:2

  • Records Compressed in ProRes / DNxHD

  • 1 x 12G-SDI Input, 2 x 12G-SDI Outputs

  • 2 x 2.5" SSD Slots & 2 x SD Card Slots

  • 1 x HDMI Input, 1 HDMI Output

  • 1 x SDI Loop Output, 1 x USB Type-C Out

  • Speaker, Remote, 10G Ethernet Port

  • Front-Panel Buttons, Jog Wheel, LCD

  • Timecode, Reference & RS-422 In/Out

  • All HyperDeck Studio models support recording to common SD cards and UHS-II cards so you don't need expensive custom media. However, the Pro models also add two SSD slots so you can use two different types of media. SD cards and SSDs are the perfect choices for broadcast media because they are small and very affordable. When using H.264, the files are so incredibly small you get very long recordings even on smaller low-cost cards. Plus, you can even record to external USB disks. With H.265, you can record up to 58 hours in 2160p60 Ultra HD or up to 157 hours of H.264 recording in 1080p59.94 on a 1TB card. That's over 6 days of recording in HD using a single 1TB card.

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Blackmagic ATEM Camera Control Panel

  • Control up to 4 Cameras

  • For BMD URSA & Studio Cameras

  • Iris, Shutter Speed & Paint Controls

  • Ethernet Connectivity

  • LCD Screens with Soft Buttons & Encoders

  • 4 x High-Quality Joysticks

  • Recallable Presets

  • The center section features independent RGB controls for gain and pedestal, or white and black. This allows you to adjust the individual red, green, and blue levels in your blacks and whites to compensate for unwanted color.

  • The bottom section features an LED camera number that indicates preview and on-air status, along with a high-quality professional joystick that's used to precisely adjust the iris and master black. It also features a call button for talkback with the operator along with a panel lock button and indicators for the network, power, and cable connection to the camera.

  • The ATEM Camera Control Panel connects directly to your ATEM live production switcher or ATEM hardware control panel via Ethernet. In many setups, you may be using multiple ATEM products such as an ATEM 4 M/E Broadcast Studio 4K switcher with an ATEM 1 M/E Advanced Panel and the ATEM Camera Control Panel. Ethernet can simply be looped from one ATEM device to another.

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