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Midas M32 Series Digital Console

  • World-class medium-format digital console for live sound and studio recording

  • I/O includes 40 input channels with 32 transparent, low-noise Midas preamps

  • 192kHz Cirrus Logic converters and 40-bit floating point offer 112dB of dynamic range

  • Industry-leading ergonomic design by Rajesh Kutty of Bentley Motors

  • Channel controls and all major functions are always within easy reach

  • Master control section features a 7" TFT display that's easily viewable even in daylight

  • LCD and TFT displays across the board ensure that you'll never get lost

  • Outfitted with 25 premium 100mm Midas Pro motorized faders rated to 1 million cycles

  • Easily assign channels to 8 DCA groups and 6 mute groups

  • Assign audio across 25 independent, time-aligned, and phase-coherent mix buses

  • AES50 and Ultranet let you expand your system with up to 96 channels with P16 monitoring

Yamaha TF Series Digital Console

  • TouchFlow Operation maximizes workflow efficiency

  • 1-knob compression and EQ let you dial in the ideal sound

  • GainFinder supports precision gain setup

  • QuickPro presets provide instant access to pro sound setups

  • 2 scene memory banks let you set up and instantly recall your settings

  • 24 D-Pre mic preamps deliver phenomenal sound

  • Onboard effects bassed on SPX processor

  • TF StageMix iPad application provides wireless control

  • TF MonitorMix iOS application allows for wireless personal monitoring

  • 34 x 34 digital record/playback channels via USB 2.0 + 2 x 2 via a USB storage device

  • 1 expansion slot for NY64-D audio interface card

  • Expandable to 48 mixing channels

Allen & Heath Qu16 Digital Console

  • Digital mixer with metal-finish controls

  • Automatic Mic Mixing for easier control over conferences and broadcast

  • Built-in touchscreen offers access to channel strips, effects, and more

  • Motorized faders make settings recall easier than ever

  • Use your iPad to take control of key functions of the mixer

  • Features many iLive effects emulations

  • Spectrogram view for finding feedback and problem frequencies fast

  • USB interface for library date, scene storage, and multitrack recording

  • Powered by 5 high-speed dual-core ARM processors

  • Rackmountable with optional rack kit, sold separately (call for assistance)

Yamaha MG20 Analog Console

  • D-PRE mic preamps deliver clean, transparent, and natural sound

  • 3-band EQ on all mono channels for sound-shaping

  • 1-knob compressors provide straightforward dynamics control

  • Pad switch on mono inputs for managing loud sources

  • Metal chassis for durability

  • 20-channel mixing console

  • Max. 16 mic / 20 line inputs (12 mono + 4 stereo)

  • 4 group buses + 1 stereo bus

  • 4 aux (incl. FX)

  • “D-PRE” mic preamps with an inverted Darlington circuit

  • 1-Knob compressors

  • Pad switch on mono inputs

  • +48V phantom power

  • XLR balanced outputs

  • Internal universal power supply for world-wide use

  • Rackmount kit included

  • Metal chassis

Mackie ProFX Series Analog Consoles

  • Professional 16-channel 4-bus mixer with onboard effects and USB I/O

  • 10 low-noise, high-headroom Mackie mic preamps with +50dB gain range

  • Dedicated inline compression for critical inputs (ch. 5-8)

  • 32-bit RMFX processor with 16 "Gig-Ready" reverbs, choruses and delays

  • Precision 7-band graphic EQ for tuning mains and monitors

  • USB I/O for recording shows and music playback via Mac or PC

  • Stream subgroups 1-2 or main L/R to your computer for recording

  • Stereo USB/tape I/O with input level control to mains

  • Convenient USB return to stereo channel for implementation of EQ, auxes and more

  • 3-band EQ with sweepable midrange on mono channels

  • 16 high-headroom line inputs (8 mono, 4 stereo)

  • Individual channel mute switches and overload (OL) indicators

  • 18dB/octave 100Hz low cut filters on all mic channels

  • Inserts on mono mic/line channels (ch. 1-4) for connecting outboard processors

  • 60mm faders for input channels, subgroups and mains

  • 48V phantom power with LED for use with condenser mics

  • FX mute button also controllable via footswitch

  • Break switch mutes all channels for music playback between sets

Shure SCM 810 Automixer with RKC800

  • The SCM810's "automatic" features, the Noise Adaptive Threshold feature distinguishes between constant background noise (such as air conditioning) and changing sound (such as speech) for each input channel.

  • The SCM810 automatically adjusts threshold so that speech levels louder than background noise are allowed passage.

  • This feature leaves the last mic used active. This ensures that audio signal generated from room ambience will always be present. The result is a natural sound without pauses or breaks in signal.

  • All mic input channels feature removable 3 pin block connectors. All inputs accept active balanced microphone or line level signal.

  • All 8 input channels feature direct outputs via 1/4" phone connections. All direct outputs are pre gate and pre EQ but can be modified internally for post gate operation.

  • The Link In/Out jacks provided in the rear allow multiple SCM810's to be cascaded for up to 400 microphone channels.

  • 8 - Removable Block Connectors, balanced microphone or line level input

  • 8 - Direct Outputs (ch 1-8) 1/4" Phone jacks

  • 1 - 1/4" TRS Phone jack (Headphone)

  • 1 - AUX line input 1/4" Phone (front panel) 
    1 - Microphone Logic connection DB25 male connector

  • 2 - Link In / Link Out 1/4" Phone jacks

Midas DL32 Digital Stage Box

  • Flexible professional digital stage box that works with Powerplay monitor systems and AES50-ready digital consoles

  • 32 x fully programmable and remote-controllable Midas Pro mic preamps give you exceptional sound, right from the stage

  • 16 x analog, servo-balanced XLR outputs let you send complete monitor mixes to the stage

  • AES50 network ports provide you with ultra-low latency digital audio that's in-ear compatible

  • Up to 328' of networking capability via a single lightweight Cat 5e cable (not included)

  • Dual AES50 ports let you cascade up to 2 DL32 units together for an up to 64-in/32-out system

  • Precise LED metering plus 7-segment displays let you keep a close eye on your levels

  • Headphones output assignable to any of the inputs/outputs for on-stage monitoring

  • Ultranet connectivity for Behringer's Powerplay P16 personal monitoring system is perfect for in-ear applications

  • Dual ADAT outputs for use in splitter mode and stand-alone digital multicore applications

  • MIDI In/Out provide bidirectional communication between FOH console and on-stage MIDI devices

Yamaha TIO 1608 Digital Stage Box

  • Dante-equipped I/O rack with 16 mic/line inputs and 8 line outs

  • Fast and easy Quick Config mode

  • Simple and flexible input selection

  • Recallable D-PRE amplifiers

  • Flexible system expansion via Dante

  • 16 XLR and 

  • Sampling Frequency Rate - External: 44.1 kHz or 48 kHz

  • Total Harmonic Distortion: Less than 0.1% +4 dBu @20Hz - 20 kHz into 600 Ω, Gain = +66 dB / Less than 0.05% +4 dBU @ 20 Hz - 20 kHz into 600 Ω, Gain = -6 dB, INPUT to OUTPUT, Fs =44.1 kHz, 48 kHz (Measured with a -18 dB/octave filter @ 80 kHz)

  • Frequency Response: +0.5, -1.5 dB 20 Hz - 20 kHz,refer to the nominal output level @ 1 kHz, INPUT to OUTPUT, Fs = 44.1 kHz or 48 kHz

  • Dynamic Range: 108 dB, INPUT to OUTPUT, Gain = -6 dB / 112 dB, DA Converter

  • Hum and Noise Level:

  • Equivalent Input Noise: -128 dBu, Gain = +66 dB (Measured with A-weighting filter) 

  • Residual Output Noise: -88 dBu, ST Master off (Measured with A-weighting filter)

  • Crosstalk: -100 dB, adjacent INPUT/OUTPUT channels, Input Gain ±6 dB (Measured with a -30 dB/octave filter @ 22 kHz)

  • Heat Dissipation: 100 - 240V, 50/60 Hz, 43.5 kcal/h

  • Power Requirements: 100 - 240 V, 50/60 Hz